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1 the letters came within a few days of each other
Универсальный англо-русский словарь > the letters came within a few days of each other
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2 within
1. [wıʹðın] n редк.находящийся внутри (конверта, пакета и т. п.)2. [wıʹðın] adv арх., книжн.1. внутри; с внутренней стороныhe whitewashed the walls within and without - он побелил стены внутри и снаружи
the door was bolted within - дверь была заперта с внутренней стороны /изнутри/
❝Rooms for Rent. Inquire Within❞ - «Сдаются комнаты. Справляться здесь» ( объявление)2. в душе, в мысляхhe was outwardly calm, but raging within - внешне он был спокоен, но в душе у него всё кипело
3. театр. за сценой4. в грам. знач. сущ. внутренняя часть (чего-л.)3. [wıʹðın] prep1. 1) нахождение внутри какого-л. предмета или в пределах какого-л. ограниченного пространства в, внутриwithin the house - в доме, внутри
within four walls - а) в четырёх стенах; б) тайно, секретно
2) в рамках какой-л. организации и т. п. в3) настроение, душевное состояние и т. п. в душе, в уме, уwithin oneself - в душе [см. тж. 5]
he thought within himself that... - он подумал про себя, что...
2. 1) распространение или нахождение в определённых пределах не дальше чем, в пределахwithin hearing /call/ - в пределах слышимости
within reach /range/ - в пределах досягаемости
within striking range - воен. в пределах досягаемости ( для нанесения удара)
are we within walking distance of N.? - можно ли отсюда дойти пешком до N.?
within a mile of the station - на расстоянии примерно в одну милю от станции
2) ограничение определёнными пределами в пределах, в рамкахto keep within the law - придерживаться закона, не выходить за рамки закона
to live /to keep/ within one's means - жить по средствам
to come within smb.'s duties - входить в чьи-л. обязанности
keep within the speed limit! - не превышай(те) установленной скорости!
3. временной предел в течение; не позднее (чем); заwithin a week - в течение недели, до конца недели
you must answer within three days - вы должны ответить в течение трёх дней /в трёхдневный срок/
an order to vacate the premises within twenty-four hours - приказ освободить помещение в двадцать четыре часа
the letters came within a few days of each other - письма приходили одно за другим с промежутком в несколько дней
within a year of his death - а) (меньше чем) за год до его смерти; б) (меньше, чем) через год после его смерти
4. предел точности с точностью до, почтиhe will tell you your weight within a pound - он определит ваш вес с точностью до (одного) фунта
they are within a few months of the same age - разница в возрасте между ними всего несколько месяцев
5. в сочетаниях:within oneself - а) в пределах своих возможностей; to run well within oneself - бежать без напряжения; б) независимый [см. тж. 1, 3)]
др. сочетания см. под соответствующими словами -
3 within
1. nвнутрішня частина, внутрішній бік (чогось)the within of the box is yellow — внутрішній бік ящика жовтий; ящик усередині жовтий
2. adjвнутрішній; що знаходиться всередині3. adv1) всередині; з внутрішнього боку2) вдома; у приміщенні«Rooms for rent. Inquire within» — «Здаються кімнати. Довідуватися у приміщенні» (оголошення)
3) всередину4) в душі, в думці, на думці5) театр. за сценою; за лаштунками4. prep1) у, в, у межах, всерединіwithin four walls — у чотирьох стінах; перен. таємно
2) на відстані, у межах; не далі, ніж3) у рамках, у межах, за (законом)4) протягом, не пізніше (як); заwithin two days — не пізніше, як через два дні; за дводенний строк
5) з точністю до, майже* * *I [wi'pin] aщо знаходиться всередині (конверта, пакет)II [wi'pin] advthe within complaint — скарга, що додається ( до лист)
apx.1) всередині; з внутрішньої сторони2) в душі, в думкахhe was outwardly calm, but raging within — зовні він був спокійний, але в душі у нього все кипіло
3) миcт. за сценою4) в гpaм.; знaч. імен. внутрішня частина (чого-н.); the within of the box is red ящик всередині червонийIII [wi'pin] prep1) місцезнаходження всередині якого-н. предмета або в межах якого-н. обмеженого простору в, всерединіwithin the house — в будинку, всередині
within four walls — в чотирьох стінах; таємно, секретно; в рамках якої-н. організації в
within the committee — в комітеті; настрій, душевний стан в душі
within oneself — в душі [див. 5]
he thought within himself that... — про себе він подумав, що...
2) поширення або знаходження в певних межах не далі ніж, в межахwithin reach /range/ — в межах досяжності
within striking range — вiйcьк. в межах досяжності ( для нанесення удару)
are we within walking distance of N. — є чи можна звідси дійти пішки до N. є; обмеження певними межами в межах, в рамках
within (the) jurisdiction (of) — в межах юрисдикції
to keep within the law — дотримуватися закону, не виходити за рамки закону
to live /to keep/ within one's means — жити відповідно своїх достатків
to come within smb 's duties — входити в чиї-н. обов'язки
keep within the speed limit! — не перевищуй(те) встановлену швидкість!
3) часова межа протягом; не пізніше ( ніж); заwithin a week — протягом тижня, до кінця тижня
an order to vacate the premises within twenty-four hours — наказ звільнити приміщення в двадцять чотири години
the letters came within a few days of each other — листи приходили одне за одним з проміжком в декілька днів
within a year of his death — ( менше ніж) за рік до його смерті; ( менше ніж) через рік після його смерті
4) межа точності з точністю до, майжеthey are within a few months of the same age — різниця у віці між ними всього декілька місяців; в словосполученнях
within an ace of — на волосину від; [ін. сполучення див. під відповідними словами]
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4 within
I [wi'pin] aщо знаходиться всередині (конверта, пакет)II [wi'pin] advthe within complaint — скарга, що додається ( до лист)
apx.1) всередині; з внутрішньої сторони2) в душі, в думкахhe was outwardly calm, but raging within — зовні він був спокійний, але в душі у нього все кипіло
3) миcт. за сценою4) в гpaм.; знaч. імен. внутрішня частина (чого-н.); the within of the box is red ящик всередині червонийIII [wi'pin] prep1) місцезнаходження всередині якого-н. предмета або в межах якого-н. обмеженого простору в, всерединіwithin the house — в будинку, всередині
within four walls — в чотирьох стінах; таємно, секретно; в рамках якої-н. організації в
within the committee — в комітеті; настрій, душевний стан в душі
within oneself — в душі [див. 5]
he thought within himself that... — про себе він подумав, що...
2) поширення або знаходження в певних межах не далі ніж, в межахwithin reach /range/ — в межах досяжності
within striking range — вiйcьк. в межах досяжності ( для нанесення удару)
are we within walking distance of N. — є чи можна звідси дійти пішки до N. є; обмеження певними межами в межах, в рамках
within (the) jurisdiction (of) — в межах юрисдикції
to keep within the law — дотримуватися закону, не виходити за рамки закону
to live /to keep/ within one's means — жити відповідно своїх достатків
to come within smb 's duties — входити в чиї-н. обов'язки
keep within the speed limit! — не перевищуй(те) встановлену швидкість!
3) часова межа протягом; не пізніше ( ніж); заwithin a week — протягом тижня, до кінця тижня
an order to vacate the premises within twenty-four hours — наказ звільнити приміщення в двадцять чотири години
the letters came within a few days of each other — листи приходили одне за одним з проміжком в декілька днів
within a year of his death — ( менше ніж) за рік до його смерті; ( менше ніж) через рік після його смерті
4) межа точності з точністю до, майжеthey are within a few months of the same age — різниця у віці між ними всього декілька місяців; в словосполученнях
within an ace of — на волосину від; [ін. сполучення див. під відповідними словами]
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5 within
wɪˈðɪn
1. предл.
1) выражает отношения места в, в пределах;
внутри
2) выражает предел а) не дальше чем, в пределах б) не позднее;
в течение (временной предел) в) с точностью до (предел точности)
2. нареч.;
уст. внутри (о месте, душе, мыслях)
3. сущ. внутренняя сторона, часть( редкое) находящийся внутри (конверта, пакета и т. п.) - the * complaint прилагаемая (к письму) жалоба - revolt from * протест внутри страны( устаревшее) (книжное) внутри;
с внутренней стороны - he whitewashed the walls * and without он побелил стены внутри и снаружи - the door was bolted * дверь была заперта с внутренней стороны /изнутри/ - those apples are rotten * эти яблоки внутри гнилые - "Rooms for Rent. Inquire W." "Сдаются комнаты. Справляться здесь" (объявление) в душе, в мыслях - to be pure * быть чистым душой - to keep one's thoughts * таить свои мысли - he was outwardly calm, but raging * внешне он был спокоен, но в душе у него все кипело театр за сценой в грам. знач. сущ.: внутренняя часть( чего-л.) - the * of the box is red ящик внутри красный указывает на нахождение внутри какого-л. предмета или в пределах какого-л. ограниченного пространства: в, внутри - * the house в доме, внутри - * the city в черте города - * the country в пределах страны - * the walls of в стенах - * four walls в четырех стенах;
тайно, секретно в рамках какой-л. организации и т. п., в - * the committee в комитете настроение, душевное состояние и т. п.: в душе, в уме, у - hope sprang * him у него появилась надежда - a voice * me said внутренний голос мне говорил - his heart sank * him у него упало сердце - * oneself в душе - he though * himself that... он подумал про себя, что... распространение или нахождение в определенных пределах: не дальше чем, в пределах - * a few miles of London в нескольких милях от Лондона - * a radius of ten miles в радиусе десяти миль - * hearing /call/ в пределах слышимости - * sight в пределах видимости - * reach /range/ в пределах досягаемости - * striking range( военное) в пределах досягаемости (для нанесения удара) - are we * walking distance of N.? можно ли отсюда дойти пешком до N.? - * a mile of the station на расстоянии примерно в одну милю от станции ограничение определенными предметами: в пределах, в рамках - * reason в разумных пределах - * (the) jurisdiction (of) в пределах юрисдикции - * (the) law в рамках закона - to keep * the law придерживаться закона, не выходить из рамок закона - to live /to keep/ * one's means жить по средствам - to come * smb.'s duties входить в чьи-л. обязанности - keep * the speed limit! не превышай(те) установленной скорости! - the task is * his powers задача ему по силам временной предел: в течение;
не позднее (чем) ;
за - * a week в течение недели, до конца недели - you must answer * three days вы должны ответить в течение трех дней /в трехдневный срок/ - an order to vacate the premises * twenty-four hours приказ освободить помещение в двадцать четыре часа - the letters came * a few days of each other письма приходили одно за другим с промежутками в несколько дней - * a year of his death (меньше, чем) за год до его смерти;
(меньше, чем) через год после его смерти предел точности: с точностью до, почти - he will tell you your weight * a pound он определит ваш вес с точностью до (одного) фунта - they are * a few months of the same age разница в возрасте между ними всего в несколько месяцев в сочетаниях: - * one's right(s) по праву - * oneself в пределах своих возможностей;
независимый - to run well * oneself бежать без напряжения - * an inch of death на волосок от смерти - * an ace of на волосок от - he was * an ace of death он чуть не погиб come ~ подпадать под to come ~ the terms of reference относиться к ведению, к компетенции;
to keep within the law не выходить из рамок закона ~ внутренняя сторона;
the door opens from within дверь открывается изнутри within prep в, внутри;
within the building внутри дома;
hope sprang up within him у него появилась надежда ~ уст. внутри;
to stay within оставаться дома;
is Mrs. Jones within? дома миссис Джоунз? ~ prep в, в пределах;
within sight в пределах видимости;
it is true within limits до известной степени верно ~ уст. внутри;
to stay within оставаться дома;
is Mrs. Jones within? дома миссис Джоунз? ~ уст. внутри;
to stay within оставаться дома;
is Mrs. Jones within? дома миссис Джоунз? within prep в, внутри;
within the building внутри дома;
hope sprang up within him у него появилась надежда ~ prep в, в пределах;
within sight в пределах видимости;
it is true within limits до известной степени верно ~ внутренняя сторона;
the door opens from within дверь открывается изнутри ~ уст. внутри;
to stay within оставаться дома;
is Mrs. Jones within? дома миссис Джоунз? ~ prep не далее( как), не позднее;
в течение;
within a year в течение года;
через год ~ prep не далее (как), не позднее;
в течение;
within a year в течение года;
через год ~ prep в, в пределах;
within sight в пределах видимости;
it is true within limits до известной степени верно within prep в, внутри;
within the building внутри дома;
hope sprang up within him у него появилась надежда -
6 письма приходили одно за другим с промежутками в несколько дней
General subject: the letters came within a few days of each otherУниверсальный русско-английский словарь > письма приходили одно за другим с промежутками в несколько дней
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7 письма приходили одно за другим с промежутком в несколько дней
General subject: the letters came within a few days of each otherУниверсальный русско-английский словарь > письма приходили одно за другим с промежутком в несколько дней
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8 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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